Dancer in the Dark (2000)

Director: Lars von Trier

Cinematographer: Robby Müller, NSC, BVK

Genre: Musical Drama

Runtime: 140 minutes

Technical Specifications

Camera Equipment

Camera: 100 stationary digital cameras for musical numbers

Format: Digital Video (DV)

Aspect Ratio: 2.35:1 (Anamorphic)

Additional: Sony PD-150 DV cameras

Lenses: Standard DV lenses

Visual Approach

Style: Documentary realism vs. musical fantasy

Color Palette: Desaturated reality, vibrant musical sequences

Lighting: Natural lighting with selective enhancement

Movement: Static cameras for musical numbers

Cinematographer's Approach

Robby Müller's Philosophy: Legendary cinematographer (Paris, Texas, Dead Man) who embraced digital technology to create von Trier's unique vision of contrasting realism with musical fantasy.

Key Techniques:

Lighting Setup

Approach: Minimal artificial lighting, embracing digital video's low-light capabilities and natural sources to maintain documentary authenticity.

Key Lighting Strategies:

Frame Grabs & Analysis

Dancer in the Dark - Musical sequence

Musical Fantasy Sequence

Setup: Multiple stationary cameras

Lighting: Natural outdoor lighting

Purpose: Escape from harsh reality into musical fantasy

Dancer in the Dark - Bridge scene

Bridge Musical Number

Setup: 100 cameras positioned around set

Lighting: Available daylight

Purpose: Surveillance-style coverage of choreography

Dancer in the Dark - Factory scene

Factory Musical Sequence

Setup: Industrial setting with multiple cameras

Lighting: Practical factory lighting

Purpose: Transforming mundane work into musical expression

Recreation Notes

For Musical Sequences:

For Dramatic Scenes: