Technical Specifications
Camera:
Arri Alexa, Canon EOS-7D
Lenses:
Cooke Speed Panchro, Leica Summilux-C, Angenieux Optimo
Format:
Digital 2.39:1
Lighting:
Low-key warm lighting, practical sources
Sharone Meir's Cinematographic Approach
Intensity Through Proximity: Meir used extreme close-ups and tight framing to create claustrophobic intensity during drumming sequences. Prime lenses were chosen specifically for their crisp, sharp rendering of detail.
Color Temperature Psychology: Deliberate use of warm, low-key lighting when Andrew is with Fletcher, creating an oppressive atmosphere. Cooler tones used in practice rooms and personal spaces to show emotional isolation.
Rhythmic Camera Movement: Camera movements synchronized with musical rhythms, especially during drum solos. Handheld work becomes more aggressive as Andrew's obsession intensifies.
Visual Strategy
Prime Lens Philosophy: Chazelle and Meir made conscious decision to use only prime lenses for maximum sharpness and intensity. Each focal length chosen for specific emotional impact rather than convenience.
Practical Lighting Design: Heavy reliance on practical sources - music stand lights, overhead fluorescents, window light. Minimal artificial lighting maintains authentic conservatory atmosphere.
Extreme Close-Up Mastery: Meir's extreme close-ups on hands, faces, and instruments create visceral connection to performance. Tight framing forces audience into Andrew's obsessive mindset.
Recreation Notes
Drum Kit Lighting: Specific lighting setup for drum sequences using practical music stand lights and overhead spots. Key light from above mimics typical rehearsal room lighting.
Handheld Technique: Handheld camera work becomes more pronounced during intense musical sequences. Operator movement matches the energy and rhythm of the performance.
Color Grading: Warm amber tones dominate Fletcher scenes, cooler blues for Andrew's isolation. High contrast maintained throughout to support the film's intense emotional tone.
